SAMESAMEBUTDIFFERENT on Oerol: That attention again, that soft smile again

Don’t say that the Oerol crowd isn’t good. Although it is clearly indicated on the barn door that people are allowed to move freely in the room, everyone plops down on the improvised benches immediately after entering. After all, they won’t be there for nothing, right? Want to walk brazenly through space? No, we don’t. (…)

Read the full review at theaterkrant.

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Luuk Verpaalen